1. Dialectic of Enlightenment
a. What is "Enlightenment"?
Enlightenment is the idea of setting humans free from fears and making them masters. It wants to defeat myths and eliminate fantasy so that knowledge and rational thinking could rule.
b. What is "dialectic"?
Dialectic is “the art of investigating or discussing the truth of options”. For example, two people can have different perception of the same happening and the investigation of the most truthful one is dialectic. In the text dialectical thinking is determined such as “in which each thing is what is it only by becoming what it is not” which means that in order to find the most truthful option we also have to examine all that it isn’t.
c. What is "nominalism" and why is it an important concept in the text?
Nominalism claims that universal entities or objects only are names and don’t have any corresponding reality, but it accepts that objects and entities exists. For example, the only thing that unifies two different trees is the fact that one can call them a tree. I think that knowledge is important in nominalism since it accepts that objects and entities exists, and therefore don’t encourage fantasy. It is important in this text because enlightenment also encourages knowledge instead of fantasy.
d. What is the meaning and function of "myth" in Adorno and Horkheimer's argument?
Myths were stories about things that could not be explained in any other way and was created because of the fear of not knowing. Adorno and Horkheimer wanted to dispel myths since it wasn’t the truth about the world.
2. "The Work of Art in the Age of Technical Reproductivity"
a. In the beginning of the essay, Benjamin talks about the relation between "superstructure" and "substructure" in the capitalist order of production. What do the concepts "superstructure" and "substructure" mean in this context and what is the point of analyzing cultural production from a Marxist perspective?
The substructure is the material and the economic foundation of a society. It is the most important part of a society and also an important base for superstructure. The superstructure is instead the art, culture, religion, social and political institution and ideology in a society. I think that the superstructure, in this context, means the art in itself and that the substructure means the tools and materials, for example paintings and movies. I believe that the point of analyzing cultural production from a Marxist perspective is to understand the structure of cultural production. In order to achieve a well-functional superstructure, which is the cultural production, we must have a working substructure.
b. Does culture have revolutionary potentials (according to Benjamin)? If so, describe these potentials. Does Benjamin's perspective differ from the perspective of Adorno & Horkheimer in this regard?
Yes. He describes how a small number of writers with a large number of readers changed into an increasing number of readers becoming writers, and how pictures eventually became moving images with sounds. This shows that culture has revolutionary potentials in the future as well.
No it doesn’t differ since knowledge can lead to cultural revolution.
c. Benjamin discusses how people perceive the world through the senses and argues that this perception can be both naturally and historically determined. What does this mean? Give some examples of historically determined perception (from Benjamin's essay and/or other contexts).
Naturally determined perception means that the perception differs between different persons, since different people can experience things differently. Historically determined perception means that the perception is affected by things that has happened in the history. For example, I have never experienced war but since war has happened in the past (and still happens around the world) I know it’s a horrible thing. So my perception of war is affected by historical events and is therefore historically determined.
d. What does Benjamin mean by the term "aura"? Are there different kinds of aura in natural objects compared to art objects?
Aura means the unique phenomenon of a distance. You can experience the aura of something that you see in a distance. Benjamin describes the aura in natural objects with this example: If you see a mountain range in the distance and it casts its shadow over you, you experience the aura of those mountains. Aura in art objects is instead the distance between the reader and the work of art.